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A crítica cinematográfica em O Diário de S. Paulo entre 1968 e 1969: um estudo sobre a experiência dos estudantes da Universidade de São Paulo
(Universidade Federal de São Carlos, 2013-04-11)
This research is a study of the film section in O Diário de S. Paulo between July 1968 and June 1969. In this year, a group composed by Álvaro Ferreira, Claudio de Andrade (pseudonym initially used by Jean-Claude Bernardet), ...
Poética do cinema infantil brasileiro : aspectos temáticos, formais e mercadológicos em Menino maluquinho
(Universidade Federal de São Carlos, 2012-05-16)
This work focuses on children's films and aims to raise some of their thematic, aesthetic and commercial characteristics. To do so, takes as its starting point the poetics of cinema as defined by Bordwell (2007) and analyzes ...
A chegada do som nos cinemas de São Paulo segundo a Folha da Manhã (1928-1933)
(Universidade Federal de São Carlos, 2012-08-09)
This dissertation focuses on study and observation of the period of transition from silent films to sound films in movie theaters at São Paulo City, as recorded by the pages of Folha da Manhã newspaper between 1928 and ...
As dinâmicas do mercado das coproduções cinematográficas entre Brasil e França
(Universidade Federal de São Carlos, 2017-05-25)
This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...
Entre o palco e a tela : as relações do cinema com o teatro de revista em comédias musicais de Luiz de Barros
(Universidade Federal de São Carlos, 2015-08-19)
This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films ...
Em busca das origens de um cinema queer no Brasil
(Universidade Federal de São Carlos, 2016-04-26)
The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter ...
As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro
(Universidade Federal de São Carlos, 2010-08-02)
The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
O processo transcriativo de São Bernardo de Leon Hirszman
(Universidade Federal de São Carlos, 2010-05-10)
The purpose of our research was to recoup some of the ideas about the intersemiotic translation of Graciliano Ramos' novel Sao Bernardo (1934) to the cinema. In this masters dissertation we realised the creative genesis ...
Gênese do processo criativo de O Bravo Guerreiro, 1969, de Gustavo Dahl : o herói atônito
(Universidade Federal de São Carlos, 2014-09-30)
This research aims to study the creative process of the Brazilian film “O Bravo Guerreiro” (The Brave Warrior), 1969, Gustavo Dahl, from the analysis, description and comparison of the different versions of scripts and ...
“A apoteose da imagem”: cineclubismo e crítica cinematográfica no Chaplin-Club
(Universidade Federal de São Carlos, 2012-03-29)
Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...