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    Memoricídio e territorialidades negras: uma geografia histórica do bairro da Liberdade através da HQ "Mukanda Tiodora"
    (Universidade Federal de São Carlos, 2026-04-29)
    Rufini, Carlos Vinicius Antunes
    ;
    Silva, Carlos Henrique Costa da
    ;
    http://lattes.cnpq.br/5444248390841543
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    https://orcid.org/0000-0003-2910-6602
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    http://lattes.cnpq.br/2505488384678963
    This research investigates the Historical Geography of the Liberdade neighborhood in the city of São Paulo, aiming to understand how the process of space production operated a memoricide of Black territorialities in favor of consolidating an exclusively Oriental identity. The study uses as its main analytical tool and geohistorical document the comic book “Mukanda Tiodora,” by Marcelo D’Salete, which reconstructs the landscape and daily life of the Black population in 1866 based on real letters from the enslaved Teodora Dias da Cunha. Methodologically, the work is based on the perspective of Maurício de Abreu, articulating diachronic and synchronic dimensions to analyze spatial transformations. The investigation confronts the hegemonic narrative that limits the neighborhood's identity to Japanese immigration, rescuing the nuances of the Afro-Brazilian presence in landmarks such as the old Largo da Forca, the Capela dos Aflitos, and the Igreja do Rosário dos Homens Pretos. This work discusses how the “Oriental Plan,” implemented in the 1970s, promoted a deliberate “orientalization” of the neighborhood for tourism and marketing purposes, deepening the symbolic erasure of Black roots. Finally, the dissertation examines contemporary political and symbolic disputes in Praça Liberdade África-Japão, highlighting the renaming of the public space and the installation of the statue of Madrinha Eunice as mechanisms of decolonial resistance and an attempt to restore the dignity of silenced historical subjects.
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    Análise comparativa dos custos associados ao modelo "Ageing in Place" e às instituições de longa permanência para pessoas idosas no Brasil
    (Universidade Federal de São Carlos, 2026-09-02)
    Moraes, Urias Marcos Pires de
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    Itria, Alexander
    ;
    http://lattes.cnpq.br/7278290457268315
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    http://orcid.org/0000-0001-7500-0230
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    http://lattes.cnpq.br/8356979728669870
    Population aging increases the need to discuss care models that combine autonomy, safety, quality of life, and economic sustainability. In this context, the concept of Ageing in place emphasizes the possibility of aging in the usual living environment while preserving social ties, identity, and participation, provided that adequate housing conditions, support networks, and access to services are available. This study aimed to understand the social and economic implications of the Ageing in place model based on scientific literature and documentary evidence, in comparison with institutional care provided by Long-Term Care Institutions for Older Adults (ILPIs). A scoping review was conducted, complemented by a descriptive analysis of a home adaptation budget and estimates of the costs associated with institutional care. The review included 13 studies, which were analyzed using methodological procedures compatible with their respective designs. The findings indicated that Ageing in place may contribute to the preservation of autonomy, identity, sense of belonging, social participation, and continuity of family and community relationships. However, its implementation depends on environmental, functional, and socioeconomic conditions, as well as on the availability of support networks and services. The analyzed budget estimated an initial investment of BRL 22,542.00 for home adaptations. For ILPIs, reference costs updated to August 2026 resulted in an estimated monthly cost ranging from BRL 4,804.58 to BRL 7,138.24 per older adult. The comparison showed that these amounts have different economic characteristics and do not allow a conclusion regarding overall economic superiority between the models. It is concluded that Ageing in place represents a care option that requires adequate support, while ILPIs remain an important component of the long-term care network. The findings reinforce the need for integrated strategies involving housing, health, social assistance, accessibility, and support for informal caregivers.
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    Avaliação do ciclo de vida no contexto da economia circular para resíduo de PVC proveniente do setor automotivo
    (Universidade Federal de São Carlos, 2026-08-21)
    Maceno, Marcos Vinícius
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    Moris, Virginia Aparecida da Silva
    ;
    http://lattes.cnpq.br/1101036108950133
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    https://orcid.org/0000-0002-6374-1792
    ;
    http://lattes.cnpq.br/2983928900618065
    Sustainability issues are increasingly valued in today's society, and many sectors of the economy are being pressured to develop more environmentally sound operations. The automotive industry, which is intensive in natural resources, is no different and faces societal pressure to evolve in favor of the environment. One of the most relevant and demanded themes concerns the application of circular economy (CE) concepts. In this sense, this work studied sustainable alternatives for the management of polyvinyl chloride (PVC) waste in the automotive sector, from the perspective of the circular economy and Life Cycle Assessment (LCA). The work was structured in two studies. The first was a systematic review (SLR) to understand the current scenario of alternatives for PVC and to confirm their efficiency via LCA. This work showed that there are promising initiatives, but they still need to mature. The second study deepened the knowledge developed in the previous study by applying LCA to a real-world case of reusing PVC waste from the automotive painting process, used in the manufacture of PVC automotive mats. The results obtained were promising, highlighting the reduction of potential environmental impacts in practically all evaluated categories and reinforcing the environmental benefit associated with the circularity of PVC. It was identified that the main hotspot in the material's life cycle—evaluated from a cradle-to-grave approach in its application as a raw material for automotive mats—is concentrated in the virgin PVC production stage, which confirms the advantages of adopting practices aligned with the circular economy. In a comprehensive way, this work directly contributes to the advancement of PVC circularity in the automotive sector and can support the development of industrial initiatives and public policies aimed at promoting the circular economy.
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    Aprendizado profundo aplicado a imagens aéreas para identificação de bovinos em campos de engorda
    (Universidade Federal de São Carlos, 2026)
    Bortoletto, João Guilherme
    ;
    Hernandes, André Carmona
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    http://lattes.cnpq.br/6806138514642732
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    https://orcid.org/0000-0002-1709-9903
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    http://lattes.cnpq.br/8735799378285601
    This work addresses the use of computer vision techniques for the automatic identification of animals in feedlots, a relevant task for monitoring and management in precision livestock farming. However, there are still gaps in the literature regarding the development of specific datasets capable of reducing duplicate detections and increasing detection accuracy in real-world scenarios. Thus, the objective of this dissertation is to develop and quantitatively evaluate a dataset for cattle identification in feedlots, aiming to increase recall and reduce the occurrence of duplicate detections in aerial images. For this purpose, images collected by a remotely piloted aircraft equipped with an RGB camera were used, with the data stored on an SD card for subsequent processing. From these images, animal fragments were extracted and used to train a neural network through transfer learning, allowing weight adjustment for recognition under different positions and angles. As results, the model pre-trained on the COCO dataset achieved 90% precision, 67% recall, and an F1-score of 76.82%, indicating that although it correctly classifies detected objects, it fails to detect a significant portion of the cattle present in the images. In contrast, the JGBCowV1 dataset achieved 73% precision, 82% recall, and an F1-score of 77.24%, while the refined JGBCowV1.1 version reached 83% precision, 75% recall, and an F1-score of 78.79%, demonstrating consistent improvement in model performance and a better balance between precision and detection capability when compared to the COCO dataset, in addition to superior performance in cattle identification under the real-world conditions analyzed. Finally, a consolidated results file was generated and, as future work, the use of additional sensors, such as thermal cameras, is suggested to improve detection in scenarios with high animal density.
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    Fúria e ressentimento - a Onryō no cinema japonês: registro em três tempos
    (Universidade Federal de São Carlos, 2026-04-07)
    Godoy, Gregory Abraham de
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    Gamo, Alessandro Constantino
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    http://lattes.cnpq.br/8208629144314123
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    https://orcid.org/0000-0002-9512-2312
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    http://lattes.cnpq.br/0847571360848173
    This research investigates the construction and evolution of the figure of the onryō in Japanese horror cinema, focusing on the character Oiwa through a comparative analysis of three film adaptations of the play Tōkaidō Yotsuya Kaidan, released in 1949, 1959, and 2014. A comparative approach is employed in order to examine continuities and transformations in the representation of this traditional figure over time, taking into account different historical and aesthetic contexts. Initially, the study presents an overview of the arrival of cinema in Japan and its early manifestations within the horror genre, subsequently turning to the cultural origins of the onryō and its transposition into the horror genre. Situated within the field of Film Studies, this research proposes a dialogue between the mythic-cultural roots of the onryō — from the foundational myths to its consolidation during the Edo period — and its cinematic representation from the twentieth to the twenty-first century, analyzing how cultural traditions and contemporary influences intertwine in the construction of different forms of representing horror over time.