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Quintais agroflorestais: da teoria à prática: uma experiência em uma república rural de estudantes de Agroecologia em Araras (SP)
(Universidade Federal de São Carlos, 2018-12-07) Morais, Gelton Fernando de; Norder, Luiz Antonio Cabello; https://lattes.cnpq.br/0080353709980071; https://lattes.cnpq.br/7736326737730070
“Refazenda Morada Agroecológica” is a rural residence for Bachelor and Master students in Agroecology at UFSCar, Araras, São Paulo, which occupies an area of 5,000m² and is surrounded by the conventional culture of sugarcane. In 2011, when it was founded, its residents began to cultivate the yard. People who graduated left the residence and their vacancies were occupied by people who entered the university and chose to live in the countryside. This was also the case for the people who managed the residence's yard. Management carried out was governed by agroforestry principles. The general objective of this work is to study the case of the agroforestry yard of Refazenda. The results obtained in this work serve to support arguments about the benefits of producing food at home and the consolidation of the theoretical knowledge obtained in the classroom.
O cânone em transcendência: Homoerotismo em Retrato de rapaz, de Mário Cláudio
(Universidade Federal de São Carlos, 2018-12-07) Barili, Renan Augusto; Valentim, Jorge Vicente; https://lattes.cnpq.br/4427303771174064; https://lattes.cnpq.br/8517308977873278
In the present work, certain aspects of the novel Retrato de Rapaz (2014), by the Portuguese writer Mário Cláudio, were analyzed, through the biases of homoeroticism and historiographical metafiction, in order to reflect on the figuration of Leonardo da Vinci, transformed into a fictional character in this novel. The central idea was to discuss the processes of revisiting and reconstructing sacred figures, starting with questions about sexuality as a form of resistance and breaking with certain pre-established heteronormative concepts. In doing so, can we not transcend the image of the Renaissance artist, since, with this fable, it allows one to think about the occurrence of a possible “hygiene” imposed on History, which relegated, to a second level, all these sexualities that were disengaged from a normative logic? As the novel and the trajectory of the Italian artist teach us, we can no longer live in times that subject certain subjectivities to a marginalized plane, since differences and diversities require experiencing visibility and respect.
Para uma epistemologia da errância: erro, hiância e ciência em Michel Pêcheux
(Universidade Federal de São Carlos, 2018-12-07) Almeida, João Flávio de; Sousa, Lucília Maria Abrahão e; https://lattes.cnpq.br/8828821460772801; https://lattes.cnpq.br/4157503916940767
Under the aegis of French Discourse Analysis, more specifically in Michel Pêcheux, the objective of this thesis is to establish a basis for a errancy (wander) epistemology: a theory of knowledge based on non-logically-stabilized that may substantiate the listening, production and circulation of other knowledge, and then produce changes in sense and subject. Our proposal is placed in the touching areas of knowledge semantics, philosophy and sociology, and for this reason will be limited to only analysing the production and circulation of “scientific” knowledge in the contemporary world. To this end we will consider the senses that oscillate between errancy and error, and from them suggest a theoretical itinerary that casts light onto the sedentarisation (stabilisation, decrease, administration and profit) of the signification from the ideological-political implementation of the concepts of mistake and success regarded by the discourse called “scientific”. We will go through two of the author’s main works: “Language, Semantics, and Ideology” (2009), and "Discourse: Structure or Event?" (2008), following the tenuous line of errancy that passes through these works and through discussions concerning “mistake” in language, the gaps that divide and cause changes in the parts that make up the linguistic base and the processes of discourse, and about the logical-rhetorical stabilisation of the senses through the scientific method and the computational axiom of the techno science.