• O cineclube universitário de Campinas (1965-1973) 

      Almeida, Natasha Hernandez; http://lattes.cnpq.br/7798723070930738 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2013-04-04)
      This study's main objective is to map and analyze the activities of the Cineclube Universitário de Campinas [Campinas College Cine-Club], during the years of its existence, from 1965 to 1973. For this, the research approaches ...
    • Found-footage film - documentário de arquivo : O cinema de Emile De Antonio e uma análise de In The Year of The Pig 

      Altafini, Thiago; http://lattes.cnpq.br/6662285739178985 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2012-05-08)
      A conceptual overview about documentaries made from archival footage, named foundfootage films. The main reference for the analysis of cinematographic production for the period prior to the year 1960 is the book Films Beget ...
    • Cineastas e a formação da ANCINE (1999-2003) 

      Alvarenga, Marcus Vinícius Tavares de; http://lattes.cnpq.br/7090306559784074 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-06-24)
      This paper studies the Brazilian cinematography corporation political joint between 1999 and 2003. Starting from fiscal renounce model crisis in the national film production, wherein the dialog narrowing between filmmakers ...
    • Os documentários musicais brasileiros : uma análise do filme Nelson Freire 

      Amaral, Guilherme Gustav Stolzel; http://lattes.cnpq.br/2459914319882874 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2015-09-28)
      This dissertation aims to analyze the documentary Nelson Freire seeking to explore the main aspects that distinguish this work from most of the musical documentaries made in Brazil between the years of 2000 and 2013. The ...
    • Herói popular sob ironia na cena política: estudo sobre o personagem e o entrelaçamento entre ficção e realidade nos filmes Macunaíma (1969) e Terceiro Milênio (1982) 

      Araújo, Mauro Luciano Souza de; http://lattes.cnpq.br/3008173291816360 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-08-09)
      The dissertation leans over an analysis of aspects of the mise-en-scène at the two chosen films, having focus in the fictional and non-fictional character rendered ironical in the Cinema Novo s (brazilian new cinema) stage ...
    • As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro 

      Barbuto, Adriano Soriano; http://lattes.cnpq.br/8722211909200533 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-08-02)
      The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
    • A crítica cinematográfica em O Diário de S. Paulo entre 1968 e 1969: um estudo sobre a experiência dos estudantes da Universidade de São Paulo 

      Bellinger, Isabella Mitiko Ikawa; http://lattes.cnpq.br/9457187037175172 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2013-04-11)
      This research is a study of the film section in O Diário de S. Paulo between July 1968 and June 1969. In this year, a group composed by Álvaro Ferreira, Claudio de Andrade (pseudonym initially used by Jean-Claude Bernardet), ...
    • Teia de sentidos: Um olhar sobre a criação de Terrence Malick em A Árvore da Vida 

      Bonini, Guilherme Augusto; http://lattes.cnpq.br/3830728656628846 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-12-03)
      The present study addresses an analytical look at the creative work of American director Terrence Malick, the modes of materialization of his technical-stylistic resources (photography, sound, assembly of plans, among other ...
    • O processo transcriativo de São Bernardo de Leon Hirszman 

      Bozicanin, José Eduardo; http://lattes.cnpq.br/0331116908238067 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-05-10)
      The purpose of our research was to recoup some of the ideas about the intersemiotic translation of Graciliano Ramos' novel Sao Bernardo (1934) to the cinema. In this masters dissertation we realised the creative genesis ...
    • O Cineclube Antônio das Mortes: trajetória, exibição e produção (1977-1987) 

      Campos, Marina da Costa; http://lattes.cnpq.br/8915084345479522 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-04-11)
      This research analyses the history of the Cineclube Antônio das Mortes, CAM, between 1977 and 1987. This organization was created in the city of Goiânia and its main activities were film screenings, discussions, study ...
    • Trailer do filme Psicose, para além do marketing cinematográfico 

      Constantino, Maria Julia évora; http://lattes.cnpq.br/8654431191020019 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-08-29)
      The objective of this dissertation is to study the narrative of the trailer of one of the most influential films in cinema history: Alfred Hitchcock´s Psycho (1960). The trailer will, therefore, be analyzed not only as a ...
    • Uma análise do universo ficcional de Doctor Who e de seus arquétipos centrais 

      Contartesi, Felipe; http://lattes.cnpq.br/1092242500436134 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-05-05)
      Doctor Who, a British series created and produced by the BBC since 1963 has been devoted as one of the oldest and most successful series of fiction for television. The series has set its course and achieved cult status, ...
    • Novas narrativas para multiplataformas: um estudo sobre jogos de realidade alternada 

      Correia, Gabriel Costa; http://lattes.cnpq.br/4746938817536999 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2013-12-18)
      The main goal of this dissertation is to introduce the alternate reality game as a new narrative for multiplatform. By new narratives are understood the forms of storytelling arising from the current development of digital ...
    • O movimento e o imutável: a memória da arte em Sans Soleil 

      Costa Júnior, Edson Pereira da; http://lattes.cnpq.br/7400535915567416 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2013-04-30)
      The research focus on the film-essay Sans Soleil (1982, Sunless), directed by the french filmmaker Chris Marker. It aims to study the possibilities of audiovisual format which mediates the relationship between the subject ...
    • O documentário de Paulo Gil Soares na Caravana Farkas : vozes, personagens e cultura popular 

      Cury, Joyce Felipe; http://lattes.cnpq.br/9910156685854542 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2015-05-28)
      This research takes a look at the eight documentaries directed by Paulo Gil Soares between 1960 and 1970 in the experience that became known today as Caravana Farkas, all of them made in northeastern Brazil: Memória do ...
    • Stalker, de Andrei Tarkovski - as semelhanças e dessemelhanças com Piquenique à Beira da Estrada, de Arkadi e Boris Strugatski 

      Delfini, Paulo Afonso Monteiro; http://lattes.cnpq.br/2458630862629216 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-03-13)
      The present dissertation aims to carry out a study on the process of written translation for audiovisual between two languages: Literature and Cinema, with the object of the novel Roadside Picnic (1972) by Brothers Arkadi ...
    • O olhar de Van Gogh pelas lentes de Alain Resnais : uma poética da luz 

      Feliciano, Gilmara Martins; http://lattes.cnpq.br/0040524807033132 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-09-04)
      This study was instigated by the documentary Van Gogh (1947), by Alain Resnais. The main reason for this analysis was given by the peculiar structure of the short film that had only the painting of Vincent Van Gogh as a ...
    • Ancinav: análise de uma proposta 

      Fernandes, Marina Rossato; http://lattes.cnpq.br/4890049754171867 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-09-30)
      This research analyzes the proposal of creation of the National Agency of Cinema and Audiovisual (Ancinav), presented in 2004 by the Ministry of Culture in the form of a project. This was a large proposal that tried to ...
    • Star Wars: um estudo sobre o universo da franquia cinematográfica 

      Ferraraz Junior, Claudio; http://lattes.cnpq.br/2629634964745566 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2012-11-30)
      The major media conglomerates consolidated from the 1980s invest heavily on franchises captained by blockbusters movies and a wide range of products derived from them, in search of larger profits in the worldwide entertainment ...
    • THE CROW (1994) : James O'Barr revisto por Alex Proyas 

      Fiori, Fernando Martins; http://lattes.cnpq.br/6860194232839227 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-02-13)
      This work investigates the process of creation and transposition between two artistic works, presenting the dialogue between the language of comics and cinema. The main corpus consists of the grahic novel, The Crow (1988), ...