• Crowdfunding no Brasil : um estudo sobre a plataforma Catarse 

      Aguiar, Carlos Eduardo Magalhães Vieira de; http://lattes.cnpq.br/6156043859787876 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, Câmpus São Carlos, 14/07/2016)
      At the end of the twentieth century and early twenty-first century, with the advent of digital technologies, the proliferation of the Internet and the cheapening of audiovisual equipment, new options have emerged to ...
    • Cineastas e a formação da ANCINE (1999-2003) 

      Alvarenga, Marcus Vinícius Tavares de; http://lattes.cnpq.br/7090306559784074 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, , 24/06/2010)
      This paper studies the Brazilian cinematography corporation political joint between 1999 and 2003. Starting from fiscal renounce model crisis in the national film production, wherein the dialog narrowing between filmmakers ...
    • As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro 

      Barbuto, Adriano Soriano; http://lattes.cnpq.br/8722211909200533 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, , 02/08/2010)
      The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
    • Ancinav: análise de uma proposta 

      Fernandes, Marina Rossato; http://lattes.cnpq.br/4890049754171867 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, , 30/09/2014)
      This research analyzes the proposal of creation of the National Agency of Cinema and Audiovisual (Ancinav), presented in 2004 by the Ministry of Culture in the form of a project. This was a large proposal that tried to ...
    • As dinâmicas do mercado das coproduções cinematográficas entre Brasil e França 

      Figueiró, Belisa Brião; http://lattes.cnpq.br/1473190334495715 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, Câmpus São Carlos, 25/05/2017)
      This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...
    • O documentário contemporâneo da Paraíba e as políticas públicas de incentivo à produção audiovisual 

      Gama, Filipe Brito; http://lattes.cnpq.br/4341650547782826 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, , 27/06/2013)
      The present dissertation aims to study the relation between the production of documentaries in Paraíba in the first decade of the 2000s and public policies of incentive of audiovisual production. To understand this context, ...
    • Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal 

      Santos, Yasmin Bidim Pereira dos; http://lattes.cnpq.br/4758060017138002 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, Câmpus São Carlos, 01/12/2015)
      This work focuses on Brazilian independent cinema and the new paths cinematographers, specially the young ones, are following to make movies. The idea is to observe the new contemporary Brazilian cinema scene and some of ...
    • A chegada do som nos cinemas de São Paulo segundo a Folha da Manhã (1928-1933) 

      Valencise, João Miguel; http://lattes.cnpq.br/2878571290948503 (Universidade Federal de São Carlos, UFSCar, Programa de Pós-graduação em Imagem e Som, , 09/08/2012)
      This dissertation focuses on study and observation of the period of transition from silent films to sound films in movie theaters at São Paulo City, as recorded by the pages of Folha da Manhã newspaper between 1928 and ...