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Vídeo ao vivo no Teat(r)o Oficina: intermidialidade em Cacilda!!!! - fábrica de cinema e teatro
(Universidade Federal de São Carlos, 2020-03-11)
In this dissertation, according to theories of the field of intermediality, I propose an exploration of the play "Cacilda!!!! - cinema and theater factory", staged by Teat(r)o Oficina in 2013. I want to demonstrate how ...
Meta-terror: o uso da metalinguagem como recurso narrativo no slasher movie
(Universidade Federal de São Carlos, 2020-04-24)
Slasher movies - horror films characterized by the well-known premise of the serial killer that terrifies a group of young people, such as The Texas chainsaw massacre, Halloween, Friday the 13th and A nightmare on Elm ...
Teia de sentidos: um olhar sobre a criação de Terrence Malick em A árvore da vida
(Universidade Federal de São Carlos, 2018-12-03)
The present study addresses an analytical look at the creative work of American director Terrence Malick, the modes of materialization of his technical-stylistic resources (photography, sound, assembly of plans, among other ...
Do palco ao écran: eles não usam black-tie
(Universidade Federal de São Carlos, 2012-04-02)
This research aims to comprehend the creative process of the movie "Eles não usam black-tie"
(They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play
written by Gianfrancesco Guarnieri, ...
Som e música da ficção científica em quatro obras do cinema brasileiro
(Universidade Federal de São Carlos, 2020-04-30)
This research aims to analyze the role played by sound and music in the filmic discourse of four Brazilian works evaluating their connections to the science fiction universe and paying special attention to the Brazilian ...
O uso de imagens de arquivo em documentários de moradias estudantis: a escrita da história do CRUSP e da moradia estudantil da UNICAMP
(Universidade Federal de São Carlos, 2020-04-23)
The present work analyzes the appropriation of archive images by the documentaries CRUSP: um recorte (Marcelo Gutierres, 2005) and Moras à Luta (Samuel Souza and Eduardo Oliveira, 2015). The objective is to point out how ...
Música, ruído, interferência e diluição: as trilha musicais de Livio Tragtenberg em Latitude Zero (2000), Contra Todos (2004) e Filmefobia (2008)
(Universidade Federal de São Carlos, 2019-08-30)
This research aims to broach Livio Tragtenberg's musical creation for contemporary Brazilian
cinema. Throughout his career, the composer has teamed up with directors with challenging
proposals such as Julio Bressane and ...
Trajetórias femininas musicadas pelo brega: análise dos filmes O Céu de Suely, de Karim Ainouz (2006) e Amor, Plástico e Barulho, de Renata Pinheiro (2013)
(Universidade Federal de São Carlos, 2019-06-28)
Starting from two films, O Céu de Suely (Karim Aïnouz, 2006) and Amor, Plástico e Barulho (Renata Pinheiro, 2013) the present work sought to investigate how the brega (tacky) songs chosen for the soundtrack relate to the ...
Estudo do worldness da media franchising de Harry Potter
(Universidade Federal de São Carlos, 2018-02-28)
The Harry Potter saga, created by the British J.K. Rowling is among the most successful film franchise works, that even after the end of the original book series and its cinematographic adaptations, continues to spread and ...
O zumbi de Bruce LaBruce em Otto; or, Up with dead people
(Universidade Federal de São Carlos, 2017-11-17)
The Canadian filmmaker Bruce LaBruce has a production focused on the discussions of the LGBT + theme, with questions about sexual gender and cinematographic language. In Otto; or, Up with dead people (2008) he uses for the ...