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O uso de imagens de arquivo em documentários de moradias estudantis: a escrita da história do CRUSP e da moradia estudantil da UNICAMP
(Universidade Federal de São Carlos, 2020-04-23)
The present work analyzes the appropriation of archive images by the documentaries CRUSP: um recorte (Marcelo Gutierres, 2005) and Moras à Luta (Samuel Souza and Eduardo Oliveira, 2015). The objective is to point out how ...
Som e música da ficção científica em quatro obras do cinema brasileiro
(Universidade Federal de São Carlos, 2020-04-30)
This research aims to analyze the role played by sound and music in the filmic discourse of four Brazilian works evaluating their connections to the science fiction universe and paying special attention to the Brazilian ...
Música, ruído, interferência e diluição: as trilha musicais de Livio Tragtenberg em Latitude Zero (2000), Contra Todos (2004) e Filmefobia (2008)
(Universidade Federal de São Carlos, 2019-08-30)
This research aims to broach Livio Tragtenberg's musical creation for contemporary Brazilian
cinema. Throughout his career, the composer has teamed up with directors with challenging
proposals such as Julio Bressane and ...
Meta-terror: o uso da metalinguagem como recurso narrativo no slasher movie
(Universidade Federal de São Carlos, 2020-04-24)
Slasher movies - horror films characterized by the well-known premise of the serial killer that terrifies a group of young people, such as The Texas chainsaw massacre, Halloween, Friday the 13th and A nightmare on Elm ...
Diretoras brasileiras e a representação da mulher em documentários dos anos 1980
(Universidade Federal de São Carlos, 2020-12-17)
In the 1980s, women occupied a significant portion of the making of short and medium-length documentaries in Brazil, with a very diverse production in terms of narrative and language. In view of the small amount of research ...
O humor na música do cinema silencioso: uma análise das representações musicais destinadas ao acompanhamento de situações cômicas
(Universidade Federal de São Carlos, 2018-09-10)
This research aims to comprehend the humor configuration in silent film musics in a very specific way: in the musical representations used in pieces and/or themes that intended to keep up with comic situations of movies ...
Stalker, de Andrei Tarkovski - as semelhanças e dessemelhanças com Piquenique à Beira da Estrada, de Arkadi e Boris Strugatski
(Universidade Federal de São Carlos, 2018-03-13)
The present dissertation aims to carry out a study on the process of written translation for audiovisual between two languages: Literature and Cinema, with the object of the novel Roadside Picnic (1972) by Brothers Arkadi ...
Superoutro de Edgard Navarro e o processo de transição da abertura política no Brasil
(Universidade Federal de São Carlos, 2018-07-12)
This research examines the film Superoutro (1989), by Edgard Navarro, which recovers the films developed by the director in the 1970s and points out issues that reflect the period of political and cultural transition, soon ...
Análise das correlações entre narrativa, estética, música e estereoscopia, em Divertida Mente
(Universidade Federal de São Carlos, 2018-10-10)
The following project has as its main purpose to analyse a series of elements that compose the cinematic language applied to the 3D animation Inside Out (Pete Docter, Walt Disney Pictures; Pixar Animation Studios. 2015) ...
O cinema de Chantal Akerman: estilo e claustrofobia em Saute ma ville (1968) e Jeanne Dielman 23 Quai du Commerce, 1080 Bruxelles (1975)
(Universidade Federal de São Carlos, 2020-10-28)
This research analyzes two films by Belgian filmmaker Chantal Akerman, Saute ma Ville (1968) and Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), with the purpose of investigate the domestic claustrophobia ...