Abstract
The present work aims to analyze Sigmund Freud’s work in order to characterize the artistics creations as a result of the unconscious psychic formations, as are the dream, the lapse, the freudian slip and the organization of neurosis. It being the major difference between they [the unconscious psychic formations], the communicability - given by a innumerable number of distocions - that the unconscious contents acquire when express through artistic creation