Submissões recentes

  • Super Festivais do GRIFE: produção, circulação e formação de cineastas no Super8 brasileiro (1973-1983) 

    Rocha, Flavio Rogerio; http://lattes.cnpq.br/8989065166798202 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2015-05-20)
    This research is the analysis of the trajectory of Super National Festivals of Super8 film, an initiative of the Group of Independent Filmmakers Experimental Films (GRIFE) of São Paulo, of its first edition in 1973 until ...
  • O Brasil pelo mundo: a forma melodramática de Avenida Brasil 

    Basso, Maressa de Carvalho; http://lattes.cnpq.br/3165143543640108 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-03-07)
    The soap opera Avenida Brasil, shown by Rede Globo in 2012, is considered a milestone in the history of soaps operas in Brazil. In addition to bringing the C class as its main theme, in particular due to populist government ...
  • Stalker, de Andrei Tarkovski - as semelhanças e dessemelhanças com Piquenique à Beira da Estrada, de Arkadi e Boris Strugatski 

    Delfini, Paulo Afonso Monteiro; http://lattes.cnpq.br/2458630862629216 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-03-13)
    The present dissertation aims to carry out a study on the process of written translation for audiovisual between two languages: Literature and Cinema, with the object of the novel Roadside Picnic (1972) by Brothers Arkadi ...
  • Com o Olho em Punho: o cinema superoitista de Torquato Neto 

    Barreto, Moema Pascoini; http://lattes.cnpq.br/3777370935221402 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-08-31)
    This research intends to explore the filmmaking activities of Torquato Neto in the beginning of the 70´s. Throughout his artistic life course, Torquato crossed diferent sorts of media, producing and stimulating Brazilian ...
  • Assista outra vez: uma revisitação dos contos de fadas através de A Bela Adormecida (1959) e Malévola (2014) 

    Mazzini, Amanda Rosasco; http://lattes.cnpq.br/9462265723148647 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-03-05)
    The dissertation proposes a revisitation of the oral and literary fairy tales’ tradition that gave rise to the movies Sleeping Beauty (Clyde Geronimi, 1959) and Maleficent (Robert Stromberg, 2014), produced by Walt Disney ...
  • A EVOLUÇÃO E O IMPACTO DOS INDIE GAMES: uma analise sobre No Man’s Sky 

    Hall, Denner Mark; http://lattes.cnpq.br/1286597193604504 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-09-12)
    The independent cultural manifestation of the digital games, can be for many, a recent phenomenon, that has been brought by the digital distribution and the increasing number of platform; from smartphones and tablets to ...
  • Em busca das origens de um cinema queer no Brasil 

    Silva, Mateus Nagime Barros da; http://lattes.cnpq.br/9261444706526266 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2016-04-26)
    The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter ...
  • Expor o corpo para revelar a carne: das sensações ao pensamento em Irreversível, de Gaspar Noé 

    Righetti, Mario Sergio; http://lattes.cnpq.br/3381222972515938 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-12-21)
    The proposal of this research is to analyze the film Irreversible (2002), by the French-Argentine filmmaker Gaspar Noé, in an effort to reflect and relativize on the thematic, aesthetic and ideological aspects present in ...
  • Fã-ativismo na telenovela em família 

    Arab, Analú Bernasconi; http://lattes.cnpq.br/0904805718133708 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2015-08-04)
    If fan-activism actions have already been related to fan engagement in order to achieve a result in relation to their favorite media content, nowadays they are emerging from real-world concernings through consumption bias ...
  • O cinema documentário de Miguel Mirra e o movimento de documentaristas: o cinema junto aos oprimidos 

    Orcasitas Pacheco, Luis Jorge; http://lattes.cnpq.br/9627025837207174 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-02-21)
    The present work is an approach to the trajectory and documentary work of Miguel Mirra, Argentine filmmaker who has developed several works in the field of communication and audiovisual production, motivated by the action ...
  • O olhar de Van Gogh pelas lentes de Alain Resnais : uma poética da luz 

    Feliciano, Gilmara Martins; http://lattes.cnpq.br/0040524807033132 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-09-04)
    This study was instigated by the documentary Van Gogh (1947), by Alain Resnais. The main reason for this analysis was given by the peculiar structure of the short film that had only the painting of Vincent Van Gogh as a ...
  • Uma Análise do Story World de Star Wars : A New Hope e Star Wars : The Force Awakens 

    Vieira, Antonio Henrique Garcia; http://lattes.cnpq.br/1489830266785249 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-03-17)
    This research aims to analyze the problematic around the canonicity that may have being lost in this new moment of the Star Wars franchise, by means of a comparative analysis between the structures of the film A New Hope ...
  • THE CROW (1994) : James O'Barr revisto por Alex Proyas 

    Fiori, Fernando Martins; http://lattes.cnpq.br/6860194232839227 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-02-13)
    This work investigates the process of creation and transposition between two artistic works, presenting the dialogue between the language of comics and cinema. The main corpus consists of the grahic novel, The Crow (1988), ...
  • O documentário de Paulo Gil Soares na Caravana Farkas : vozes, personagens e cultura popular 

    Cury, Joyce Felipe; http://lattes.cnpq.br/9910156685854542 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2015-05-28)
    This research takes a look at the eight documentaries directed by Paulo Gil Soares between 1960 and 1970 in the experience that became known today as Caravana Farkas, all of them made in northeastern Brazil: Memória do ...
  • Sonoridades vocais no cinema : a fala flutuante em “Familia Rodante” (2004), de Pablo Trapero 

    Taño, Debora Regina; http://lattes.cnpq.br/6643308942785377 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-03-13)
    This research studies voice usage as a sound element, beyond its semantic content, having the movie Rolling Family (2004), from Argentinian movie director Pablo Trapero, as the analysis object. In this movie, characters’ ...
  • Uma análise do universo ficcional de Doctor Who e de seus arquétipos centrais 

    Contartesi, Felipe; http://lattes.cnpq.br/1092242500436134 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-05-05)
    Doctor Who, a British series created and produced by the BBC since 1963 has been devoted as one of the oldest and most successful series of fiction for television. The series has set its course and achieved cult status, ...
  • “Em breve nos cinemas” : assimilação e articulação do formato trailer pela experiência cinematográfica brasileira 

    Jaber, Fernanda Affonso de André; http://lattes.cnpq.br/2588450957497427 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-03-13)
    The object of study of this dissertation is the film trailer in the context of Brazilian cinematic experience. From a historical perspective, this research clarifies how the relationship between the Brazilian trailer and ...
  • As dinâmicas do mercado das coproduções cinematográficas entre Brasil e França 

    Figueiró, Belisa Brião; http://lattes.cnpq.br/1473190334495715 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-05-25)
    This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...
  • Um estudo sobre Podcasteros de Game of Thrones 

    Murta, Cíntia Maria Gomes; http://lattes.cnpq.br/5993482249864845 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2016-06-14)
    Known as the Age of Conversation, the present time is marked by horizontal communication, based on connectivity between people and their networking. This setting reconfigures the media landscape from new conversation ...
  • Aproximações à história do gênero épico na TV brasileira : um estudo sobre a minissérie A muralha (TV Globo, 2000) 

    Santos Junior, Cid José Machado dos; http://lattes.cnpq.br/3437352764896704 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2014-12-15)
    This research presents the investigation of the epic genre´s manifestations within Brazilian audiovisual environment having as object the miniseries A muralha (TV Globo, 2000), based on the novel A muralha (1954) by Dinah ...

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