• A alegoria histórica em Manoel de Oliveira: um filme falado 

      Santos, Wiliam Pianco dos; http://lattes.cnpq.br/0171958971463706 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2011-08-25)
      This research consists of a discourse analysis of Um filme falado (2003), from the Portuguese film director Manoel de Oliveira. The idea is to investigate the meanings implied in the historical allegory built by the director ...
    • Uma Análise do Story World de Star Wars : A New Hope e Star Wars : The Force Awakens 

      Vieira, Antonio Henrique Garcia; http://lattes.cnpq.br/1489830266785249 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-03-17)
      This research aims to analyze the problematic around the canonicity that may have being lost in this new moment of the Star Wars franchise, by means of a comparative analysis between the structures of the film A New Hope ...
    • Uma análise do universo ficcional de Doctor Who e de seus arquétipos centrais 

      Contartesi, Felipe; http://lattes.cnpq.br/1092242500436134 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2017-05-05)
      Doctor Who, a British series created and produced by the BBC since 1963 has been devoted as one of the oldest and most successful series of fiction for television. The series has set its course and achieved cult status, ...
    • Ancinav: análise de uma proposta 

      Fernandes, Marina Rossato; http://lattes.cnpq.br/4890049754171867 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-09-30)
      This research analyzes the proposal of creation of the National Agency of Cinema and Audiovisual (Ancinav), presented in 2004 by the Ministry of Culture in the form of a project. This was a large proposal that tried to ...
    • Animação estereoscópica: relações entre a tecnologia audiovisual e a percepção da profundidade 

      Santos, Tiago Eugenio dos; http://lattes.cnpq.br/2248690766230203 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-07-30)
      The stereoscopic application is not in itself a technical novelty, because, already in 1838, the first device that allowed the stereoscopic display is designed. In the early years of its invention new apparatus were ...
    • “A apoteose da imagem” : Cineclubismo e crítica cinematográfica no Chaplin-Club 

      Santos, Fabricio Felice Alves dos; ttp://lattes.cnpq.br/5646532889487401 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2012-03-29)
      Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...
    • Aproximações à história do gênero épico na TV brasileira : um estudo sobre a minissérie A muralha (TV Globo, 2000) 

      Santos Junior, Cid José Machado dos; http://lattes.cnpq.br/3437352764896704 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2014-12-15)
      This research presents the investigation of the epic genre´s manifestations within Brazilian audiovisual environment having as object the miniseries A muralha (TV Globo, 2000), based on the novel A muralha (1954) by Dinah ...
    • A arte-spray de Banksy : grafite e videografia 

      Estevão, Gustavo Russo; http://lattes.cnpq.br/8260704953444206 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2016-03-24)
      This research aims to investigate the mechanisms of creation and production by the British artist Banksy, the leading exponent of what became known as Street Art in the early 2000. It starts with his incursion as an ...
    • Aspectos canônicos da narrativa transmidiática em Lost 

      Toledo, Glauco Madeira de; http://lattes.cnpq.br/3902874128810762 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2012-06-28)
      The concept of transmedia storytelling by Henry Jenkins is taken in order to differentiate it from the concept of cross-media, older and worked earlier by several authors. Based on a comparison, it is proposed that the ...
    • Assista outra vez: uma revisitação dos contos de fadas através de A Bela Adormecida (1959) e Malévola (2014) 

      Mazzini, Amanda Rosasco; http://lattes.cnpq.br/9462265723148647 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-03-05)
      The dissertation proposes a revisitation of the oral and literary fairy tales’ tradition that gave rise to the movies Sleeping Beauty (Clyde Geronimi, 1959) and Maleficent (Robert Stromberg, 2014), produced by Walt Disney ...
    • O Brasil pelo mundo: a forma melodramática de Avenida Brasil 

      Basso, Maressa de Carvalho; http://lattes.cnpq.br/3165143543640108 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-03-07)
      The soap opera Avenida Brasil, shown by Rede Globo in 2012, is considered a milestone in the history of soaps operas in Brazil. In addition to bringing the C class as its main theme, in particular due to populist government ...
    • A caracterização da produção de materiais didáticoeducativos audiovisuais para educação superior a distância na UFSCar 

      Montanaro, Paulo Roberto; http://lattes.cnpq.br/9722367900588242 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-11-19)
      This survey aims to collect data on the production of audiovisual content intended for undergraduate courses in e-learning mode. Mapped Thus, each of the elements produced, their production system and the actors who work ...
    • As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro 

      Barbuto, Adriano Soriano; http://lattes.cnpq.br/8722211909200533 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-08-02)
      The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
    • O céu que nos protege: a desertificação das relações humanas 

      Rodrigues, Ana Claudia; http://lattes.cnpq.br/6190989283414190 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-06-09)
      And the world at full speed, with its re-engineering and mass production, would bring hope to men. It was possible to believe in the prosperity of technique as a compensation for the gap imposed by the Second World War. ...
    • A chegada do som nos cinemas de São Paulo segundo a Folha da Manhã (1928-1933) 

      Valencise, João Miguel; http://lattes.cnpq.br/2878571290948503 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2012-08-09)
      This dissertation focuses on study and observation of the period of transition from silent films to sound films in movie theaters at São Paulo City, as recorded by the pages of Folha da Manhã newspaper between 1928 and ...
    • Cineastas e a formação da ANCINE (1999-2003) 

      Alvarenga, Marcus Vinícius Tavares de; http://lattes.cnpq.br/7090306559784074 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2010-06-24)
      This paper studies the Brazilian cinematography corporation political joint between 1999 and 2003. Starting from fiscal renounce model crisis in the national film production, wherein the dialog narrowing between filmmakers ...
    • O Cineclube Antônio das Mortes: trajetória, exibição e produção (1977-1987) 

      Campos, Marina da Costa; http://lattes.cnpq.br/8915084345479522 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2014-04-11)
      This research analyses the history of the Cineclube Antônio das Mortes, CAM, between 1977 and 1987. This organization was created in the city of Goiânia and its main activities were film screenings, discussions, study ...
    • O cineclube universitário de Campinas (1965-1973) 

      Almeida, Natasha Hernandez; http://lattes.cnpq.br/7798723070930738 (Universidade Federal de São CarlosBRUFSCarPrograma de Pós-graduação em Imagem e Som, 2013-04-04)
      This study's main objective is to map and analyze the activities of the Cineclube Universitário de Campinas [Campinas College Cine-Club], during the years of its existence, from 1965 to 1973. For this, the research approaches ...
    • O cinema de diáspora indiano na Trilogia dos Elementos de Deepa Mehta 

      Manghirmalani, Juily Jyotsna Seixas; http://lattes.cnpq.br/3322740274159799 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2016-03-16)
      This research aims to study the films that form the Elements Trilogy, by the Indo-Canadian director Deepa Mehta. Released between 1996 and 2005, the trilogy is part of the production by the Indian diaspora, that is to say, ...
    • O cinema documentário de Miguel Mirra e o movimento de documentaristas: o cinema junto aos oprimidos 

      Orcasitas Pacheco, Luis Jorge; http://lattes.cnpq.br/9627025837207174 (Universidade Federal de São CarlosUFSCarPrograma de Pós-graduação em Imagem e SomCâmpus São Carlos, 2018-02-21)
      The present work is an approach to the trajectory and documentary work of Miguel Mirra, Argentine filmmaker who has developed several works in the field of communication and audiovisual production, motivated by the action ...