This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...

This research is a study of the film section in O Diário de S. Paulo between July 1968 and June 1969. In this year, a group composed by Álvaro Ferreira, Claudio de Andrade (pseudonym initially used by Jean-Claude Bernardet), ...

This work focuses on children's films and aims to raise some of their thematic, aesthetic and commercial characteristics. To do so, takes as its starting point the poetics of cinema as defined by Bordwell (2007) and analyzes ...

This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films ...

The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter ...

This research intends to explore the filmmaking activities of Torquato Neto in the beginning of the 70´s. Throughout his artistic life course, Torquato crossed diferent sorts of media, producing and stimulating Brazilian ...

The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...

Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...

At the end of the twentieth century and early twenty-first century, with the advent of digital technologies, the proliferation of the Internet and the cheapening of audiovisual equipment, new options have emerged to ...

This research aims to comprehend the creative process of the movie "Eles não usam black-tie" (They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play written by Gianfrancesco Guarnieri, ...