• português (Brasil)
    • English
    • español
  • English 
    • português (Brasil)
    • English
    • español
  • Login
About
  • Politics
  • Instructions to authors
  • Contact
    • Politics
    • Instructions to authors
    • Contact
View Item 
  •   Home
  • Centro de Educação e Ciências Humanas (CECH)
  • Programas de Pós-Graduação
  • Imagem e Som (PPGIS)
  • Teses e dissertações
  • View Item
  •   Home
  • Centro de Educação e Ciências Humanas (CECH)
  • Programas de Pós-Graduação
  • Imagem e Som (PPGIS)
  • Teses e dissertações
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Browse

All of DSpaceCommunities & CollectionsBy Issue DateAuthorsAdvisorTitlesSubjectsCNPq SubjectsGraduate ProgramDocument TypeThis CollectionBy Issue DateAuthorsAdvisorTitlesSubjectsCNPq SubjectsGraduate ProgramDocument Type

My Account

Login

Entre o palco e a tela : as relações do cinema com o teatro de revista em comédias musicais de Luiz de Barros

Thumbnail
View/Open
DissEGV.pdf (2.095Mb)
Date
2015-08-19
Author
Vasconcellos, Evandro Gianasi
http://lattes.cnpq.br/2417960107428452
Metadata
Show full item record
Abstract
This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films during his long career as a filmmaker. However, he did not dedicate his activities only to cinema, having established also an important career in "teatro de revista" and other stage shows. Based on researches in periodicals and archives, it was made a survey of the many activities of the director. Full of attractions, the musical comedies used elements of mass culture, like popular music and carnival, to attract the audience, bringing also several aspects of the “teatro de revista” and other artistic forms. Through the analysis of the movies Berlim na batucada (Luiz de Barros, 1944) e Caídos do céu (Luiz de Barros, 1946), this research aims to study how the filmmaker articulated characteristic elements of the “teatro de revista” in his films, both in the narrative level and in relation to production, also investigating the casting of theatrical actors and musicians well known to the public. Thus, this work intends to expand a research field of the history of Brazilian cinema that studies the dialogue with other kinds of entertainment.
URI
https://repositorio.ufscar.br/handle/ufscar/7633
Collections
  • Teses e dissertações

UFSCar
Universidade Federal de São Carlos - UFSCar
Send Feedback

UFSCar

IBICT
 

 


UFSCar
Universidade Federal de São Carlos - UFSCar
Send Feedback

UFSCar

IBICT