Corpo, desejo e criação: do acontecimento aos agenciamentos maquínicos em Gilles Deleuze

Abstract

This research investigates the movements that make an act of creation possible, based on three moments in the fhilosofhy of Gilles Deleuze (and Féliz Guattari): the event in The Logic of Sense, desire and its machinic Productions in Anti-Oedipus; and the aberrant movements of the Eart in A Thousand Plateaus. In all these movements, the body without organs appear a central as a central operator of creation, insofar as it is capable of decoding and desterritorializing strata, disorgorganizing forms, and releasing flows. If, in The Logico of Sense, the body is tensed to think the incorporeal effects that arise from its mixtures depth, giving rise to the event that makes language possible, then, in Anti-Oedipus and A Thousand Plateaus, the body acquires ever greater dimensions, rising to the surface and instituting a plane of consistency upon which all reality is produced and desire is assembled. In this sense, desire is investigated as a revolutinary power, while at the same time can be captured, losing its productive power and transforming itself into a desire for death.