Mídium e Gestão da Paratopia Criadora: O trabalho inscricional do Clube Atlético Passarinheiro
Pinto, Pedro Alberto Ribeiro
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By subscribing to a certain tradition of Discourse Analysis derived from the works of Dominique Maingueneau (2006) in an interface with the studies of the literary and cultural materialities, this work searchs for an understanding of the author's identities of the group of poets Club Atlético Passarinheiro and its members Luiza Romão, Ni Brisant and Victor Rodrigues, understanding the concept of authorship as a discursive place to which texts refer, both in their ways of circulation and in their textual mesh (SALGADO, 2016a). With this objective in mind, this dissertation focuses mainly on the aspects of the Club's inscriptional work, turning to a wider archive that circumscribes the phenomenon of poetry slams, poetic battles whose increasing consolidation in Brazil and in the world has acted as base for different discursivizations of the body, voice and poetry. As a specific corpus, it takes certain materialities related to the first practices of the collective when it emerges, investigating the relations established between the configuration of the constitutive instances of its creative paratopia (MAINGUENEAU, 2006, 134) and the mediological functioning of its practices - the particular way in which the technical vectors and institutional vectors cross one another in these discursive processes.