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Now showing items 11-20 of 55
Super Festivais do GRIFE: produção, circulação e formação de cineastas no Super8 brasileiro (1973-1983)
(Universidade Federal de São Carlos, 2015-05-20)
This research is the analysis of the trajectory of Super National Festivals of Super8 film, an initiative of the Group of Independent Filmmakers Experimental Films (GRIFE) of São Paulo, of its first edition in 1973 until ...
Expor o corpo para revelar a carne: das sensações ao pensamento em Irreversível, de Gaspar Noé
(Universidade Federal de São Carlos, 2017-12-21)
The proposal of this research is to analyze the film Irreversible (2002), by the French-Argentine filmmaker Gaspar Noé, in an effort to reflect and relativize on the thematic, aesthetic and ideological aspects present in ...
Assista outra vez: uma revisitação dos contos de fadas através de A Bela Adormecida (1959) e Malévola (2014)
(Universidade Federal de São Carlos, 2018-03-05)
The dissertation proposes a revisitation of the oral and literary fairy tales’ tradition that gave rise to the movies Sleeping Beauty (Clyde Geronimi, 1959) and Maleficent (Robert Stromberg, 2014), produced by Walt Disney ...
Stalker, de Andrei Tarkovski - as semelhanças e dessemelhanças com Piquenique à Beira da Estrada, de Arkadi e Boris Strugatski
(Universidade Federal de São Carlos, 2018-03-13)
The present dissertation aims to carry out a study on the process of written translation for audiovisual between two languages: Literature and Cinema, with the object of the novel Roadside Picnic (1972) by Brothers Arkadi ...
O documentário de Paulo Gil Soares na Caravana Farkas : vozes, personagens e cultura popular
(Universidade Federal de São Carlos, 2015-05-28)
This research takes a look at the eight documentaries directed by Paulo Gil Soares between 1960 and 1970 in the experience that became known today as Caravana Farkas, all of them made in northeastern Brazil: Memória do ...
O olhar de Van Gogh pelas lentes de Alain Resnais : uma poética da luz
(Universidade Federal de São Carlos, 2017-09-04)
This study was instigated by the documentary Van Gogh (1947), by Alain Resnais. The main reason for this analysis was given by the peculiar structure of the short film that had only the painting of Vincent Van Gogh as a ...
O cinema documentário de Miguel Mirra e o movimento de documentaristas: o cinema junto aos oprimidos
(Universidade Federal de São Carlos, 2018-02-21)
The present work is an approach to the trajectory and documentary work of Miguel Mirra, Argentine filmmaker who has developed several works in the field of communication and audiovisual production, motivated by the action ...
Nos rastros de Limite : um estudo de caso na história da preservação das imagens em movimento no Brasil
(Universidade Federal de São Carlos, 2012-09-20)
The theme of this work is the film preservation in Brazil and its focus is the film preservation history of Limite (Mário Peixoto, 1931). In the introduction we situate our research within a Brazilian reality of appreciation ...
O cineclube universitário de Campinas (1965-1973)
(Universidade Federal de São Carlos, 2013-04-04)
This study's main objective is to map and analyze the activities of the Cineclube Universitário de Campinas [Campinas College Cine-Club], during the years of its existence, from 1965 to 1973. For this, the research approaches ...
O movimento e o imutável: a memória da arte em Sans Soleil
(Universidade Federal de São Carlos, 2013-04-30)
The research focus on the film-essay Sans Soleil (1982, Sunless), directed by the french filmmaker Chris Marker. It aims to study the possibilities of audiovisual format which mediates the relationship between the subject ...