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Do palco ao écran: eles não usam black-tie
(Universidade Federal de São Carlos, 2012-04-02)
This research aims to comprehend the creative process of the movie "Eles não usam black-tie"
(They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play
written by Gianfrancesco Guarnieri, ...
Som e música da ficção científica em quatro obras do cinema brasileiro
(Universidade Federal de São Carlos, 2020-04-30)
This research aims to analyze the role played by sound and music in the filmic discourse of four Brazilian works evaluating their connections to the science fiction universe and paying special attention to the Brazilian ...
“A apoteose da imagem”: cineclubismo e crítica cinematográfica no Chaplin-Club
(Universidade Federal de São Carlos, 2012-03-29)
Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...
“Em breve nos cinemas”: assimilação e articulação do formato trailer pela experiência cinematográfica brasileira
(Universidade Federal de São Carlos, 2017-03-13)
The object of study of this dissertation is the film trailer in the context of Brazilian cinematic experience. From a historical perspective, this research clarifies how the relationship between the Brazilian trailer and ...
Diretoras brasileiras e a representação da mulher em documentários dos anos 1980
(Universidade Federal de São Carlos, 2020-12-17)
In the 1980s, women occupied a significant portion of the making of short and medium-length documentaries in Brazil, with a very diverse production in terms of narrative and language. In view of the small amount of research ...