Música, ruído, interferência e diluição: as trilha musicais de Livio Tragtenberg em Latitude Zero (2000), Contra Todos (2004) e Filmefobia (2008)
Abstract
This research aims to broach Livio Tragtenberg's musical creation for contemporary Brazilian
cinema. Throughout his career, the composer has teamed up with directors with challenging
proposals such as Julio Bressane and Tata Amaral. In his compositions we perceive intriguing
musical / sound paths so that these sounds do not go unnoticed in the middle of the film, and
they also establish significant relationships with the work in which the music is inserted. The
dissertation proposes investigate how Livio Tragtenberg articulates different ideas and sounds
in certain filmic contexts. For that, study's object comprises three movies: Latitude Zero, by
Toni Venturi (2000); Contra Todos (2003), by Roberto Moreira, and Filmefobia (2009), by
Kiko Goifman. These works were chosen because they contain different language proposals
that directly implied the approach used by the composer, which does not mean his works do
not have a "signature", on the contrary. Although the composer “adapts” to each film, it is
possible to find relevant singularities both in the sonorities and in the relation that music
establishes with the other elements of the narrative.
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