The manifestations occured in June 2013 in Brazil were marked by a large content production by a great diversity of users, indie medias and the traditional media. Whitin this premise, this research uses discourse analysis ...

This research presents the investigation of the epic genre´s manifestations within Brazilian audiovisual environment having as object the miniseries A muralha (TV Globo, 2000), based on the novel A muralha (1954) by Dinah ...

This dissertation aims to analyze the world-building process as spaces of transmidiatic communication. We listed information from the distinct media utilized on the development of the TV series Lost, including it internal ...

Historically, quests where frequently used by players, which empirically analyzed and systematized them with the intention of revealing the inner structure of games. After that, there was a need to address them as the ...

Starting from two films, O Céu de Suely (Karim Aïnouz, 2006) and Amor, Plástico e Barulho (Renata Pinheiro, 2013) the present work sought to investigate how the brega (tacky) songs chosen for the soundtrack relate to the ...

This work analyzes the Brazilian documentary Espaço além - Marina Abramović and Brazil (The Space In Between: Marina Abramović and Brazil, Marco Del Fiol, 2016) for the bias of intermediality. The film approaches Abramović's ...

The research herein is consolidated in fantastical narratives presented in animation movies allied with deep perception exploration. Its development aims to investigate how visual resources are used in animation movies ...

This research is an analysis of TV Brasil’s schedule. The channel belongs to the Brazil Communications Company (EBC), which began to be broadcasted in December 2007. Its creation is the result of a project by the Ministry ...

This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films ...

This project aims to investigate aesthetic and signal subjects of Kieslowskian cinematographic language from the analysis of the episode 5 of the television series Decalogue (1988) and its respective version for cinema A ...