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Em busca das origens de um cinema queer no Brasil
(Universidade Federal de São Carlos, 2016-04-26)
The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter ...
Do palco ao écran: eles não usam black-tie
(Universidade Federal de São Carlos, 2012-04-02)
This research aims to comprehend the creative process of the movie "Eles não usam black-tie"
(They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play
written by Gianfrancesco Guarnieri, ...
“A apoteose da imagem”: cineclubismo e crítica cinematográfica no Chaplin-Club
(Universidade Federal de São Carlos, 2012-03-29)
Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...
“Com o olho em punho”: o cinema superoitista de Torquato Neto
(Universidade Federal de São Carlos, 2017-08-31)
This research intends to explore the filmmaking activities of Torquato Neto in the beginning of the 70´s. Throughout his artistic life course, Torquato crossed diferent sorts of media, producing and stimulating Brazilian ...
“Em breve nos cinemas”: assimilação e articulação do formato trailer pela experiência cinematográfica brasileira
(Universidade Federal de São Carlos, 2017-03-13)
The object of study of this dissertation is the film trailer in the context of Brazilian cinematic experience. From a historical perspective, this research clarifies how the relationship between the Brazilian trailer and ...
As dinâmicas do mercado das coproduções cinematográficas entre Brasil e França
(Universidade Federal de São Carlos, 2017-05-25)
This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...
As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro
(Universidade Federal de São Carlos, 2010-08-02)
The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
O processo transcriativo de São Bernardo de Leon Hirszman
(Universidade Federal de São Carlos, 2010-05-10)
The purpose of our research was to recoup some of the ideas about the intersemiotic translation of Graciliano Ramos' novel Sao Bernardo (1934) to the cinema. In this masters dissertation we realised the creative genesis ...
Entre o palco e a tela : as relações do cinema com o teatro de revista em comédias musicais de Luiz de Barros
(Universidade Federal de São Carlos, 2015-08-19)
This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films ...
Gênese do processo criativo de O Bravo Guerreiro, 1969, de Gustavo Dahl : o herói atônito
(Universidade Federal de São Carlos, 2014-09-30)
This research aims to study the creative process of the Brazilian film “O Bravo Guerreiro” (The Brave Warrior), 1969, Gustavo Dahl, from the analysis, description and comparison of the different versions of scripts and ...