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A crítica cinematográfica em O Diário de S. Paulo entre 1968 e 1969: um estudo sobre a experiência dos estudantes da Universidade de São Paulo
(Universidade Federal de São Carlos, 2013-04-11)
This research is a study of the film section in O Diário de S. Paulo between July 1968 and June 1969. In this year, a group composed by Álvaro Ferreira, Claudio de Andrade (pseudonym initially used by Jean-Claude Bernardet), ...
Poética do cinema infantil brasileiro : aspectos temáticos, formais e mercadológicos em Menino maluquinho
(Universidade Federal de São Carlos, 2012-05-16)
This work focuses on children's films and aims to raise some of their thematic, aesthetic and commercial characteristics. To do so, takes as its starting point the poetics of cinema as defined by Bordwell (2007) and analyzes ...
As dinâmicas do mercado das coproduções cinematográficas entre Brasil e França
(Universidade Federal de São Carlos, 2017-05-25)
This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...
Entre o palco e a tela : as relações do cinema com o teatro de revista em comédias musicais de Luiz de Barros
(Universidade Federal de São Carlos, 2015-08-19)
This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films ...
Em busca das origens de um cinema queer no Brasil
(Universidade Federal de São Carlos, 2016-04-26)
The main goal of this dissertation is to find movies made in Brazil up to 1950 that can be interpreted as queer. The first chapter explains the meaning of queer and the establishment of Queer Theory. The second chapter ...
As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro
(Universidade Federal de São Carlos, 2010-08-02)
The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
“A apoteose da imagem”: cineclubismo e crítica cinematográfica no Chaplin-Club
(Universidade Federal de São Carlos, 2012-03-29)
Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...
Do palco ao écran: Eles não usam black-tie
(Universidade Federal de São Carlos, 2012-04-02)
This research aims to comprehend the creative process of the movie "Eles não usam black-tie"
(They don't wear black-tie) (1981), directed by Leon Hirszman, based on the homonymic play
written by Gianfrancesco Guarnieri, ...
“Com o olho em punho”: o cinema superoitista de Torquato Neto
(Universidade Federal de São Carlos, 2017-08-31)
This research intends to explore the filmmaking activities of Torquato Neto in the beginning of the 70´s. Throughout his artistic life course, Torquato crossed diferent sorts of media, producing and stimulating Brazilian ...
Som e música da ficção científica em quatro obras do cinema brasileiro
(Universidade Federal de São Carlos, 2020-04-30)
This research aims to analyze the role played by sound and music in the filmic discourse of four Brazilian works evaluating their connections to the science fiction universe and paying special attention to the Brazilian ...