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Now showing items 11-15 of 15
Som e música da ficção científica em quatro obras do cinema brasileiro
(Universidade Federal de São Carlos, 2020-04-30)
This research aims to analyze the role played by sound and music in the filmic discourse of four Brazilian works evaluating their connections to the science fiction universe and paying special attention to the Brazilian ...
Diretoras brasileiras e a representação da mulher em documentários dos anos 1980
(Universidade Federal de São Carlos, 2020-12-17)
In the 1980s, women occupied a significant portion of the making of short and medium-length documentaries in Brazil, with a very diverse production in terms of narrative and language. In view of the small amount of research ...
Entre o palco e a tela : as relações do cinema com o teatro de revista em comédias musicais de Luiz de Barros
(Universidade Federal de São Carlos, 2015-08-19)
This work aims to study the relationship between the “teatro de revista” (revue) and the musical comedies made by Luiz de Barros. An important name in the history of Brazilian cinema, Luiz de Barros made dozens of films ...
As dinâmicas do mercado das coproduções cinematográficas entre Brasil e França
(Universidade Federal de São Carlos, 2017-05-25)
This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French ...
“A apoteose da imagem”: cineclubismo e crítica cinematográfica no Chaplin-Club
(Universidade Federal de São Carlos, 2012-03-29)
Founded in Rio de Janeiro in 1928, the Chaplin-Club is considered the milestone of ciné-clubs and of film criticism in Brazil. Since the beginning of its activities, the club used to release O Fan, a vehicle dedicated to ...